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A Heideggerian/Sartrean Analysis of the Film, The Remains of the Day

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The 1993 film,  The Remains of the Day, which is based upon Japanese-British writer Kazuo Ishiguro’s acclaimed third novel of the same name, exhibits several of the philosophical ideas that stem from the early 20th century Continental philosophers, Heidegger and Sartre. The most prominent one, forming the core of the film, is the dynamic between [...]

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